PHO150 Digital Photography: Berenice Abbott

Berenice Abbott first established herself in commercial portraiture in Paris and later in New York. Besides creating masterful bodies of work on the changing face of New York, scientific phenomena, Route 1 and Maine, Abbott was an inventor of photographic equipment, a pioneer in the teaching of photographic techniques and the first person to champion the work of the turn-of-the-century French photographer Eugene Atget.

An exemplary study of the career of photographer Berenice Abbott that reveals the astonishing range of her artistic, documentary, and scientific production. This attractive book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three major periods of Abbott's career: her early work in the United States and Paris during the 1920s; her project Changing New York (1935-39), created for the Federal Art Project; and her scientific pictures made between 1939 and 1961.

Originally published by The New Press in 1997 to stellar reviews and great acclaim, Berenice Abbott: Changing New York sold more than 20,000 copies in its combined editions and was featured in Vanity Fair, Newsweek, and the New York Daily News and called "the definitive visual record of the city as it was during the Depression" by the Washington Post. This deluxe hardcover edition features more than 300 duotones--the complete WPA project--and 113 variant images, drawings, and period maps, as well as an explanatory text on Abbott's life and work.

From well-known luminaries of the medium such as Arbus, Goldin, Lange, Cunningham, Cindy Sherman and Annie Leibovitz, to far less known figures, this book celebrates the role women have had in shaping photography's vision.

An examination of the camera work of five women photographers who worked during the 1930s and 1940s. During this era photography transformed the U.S. cultural landscape, this book shows how these photographers visually articulated the essential ideas occupying the American consciousness.

Woods explores how photographers used their built environment to capture the disparate American landscapes prior to World War II, when urban and rural areas grew further apart in the face of skyscrapers, massive industrialization, and profound cultural shifts. In such disparate places as New York City, the rural South, and the burgeoning metropolis of Miami, these unconventional architectural photographers observed buildings as deeply connected to their context. Beyond the Architect's Eye is a groundbreaking study that melds histories of American art, cities, and architecture with visual studies of landscape, photography, and cultural geography.

Walker Evans & Company focuses on Evans as a central figure in the arts of the 1920s and 30s, and includes works in photography and other mediums that influenced Evans or were influenced by him, or which resonate in a significant way with aspects of his imagery, sensibility and style. Among the other artists whose work is featured are: Eugene Atget, Mathew Brady, Stuart Davis, Robert Frank, Lee Friedlander, Edward Hopper, Roy Lichtenstein, Ed Ruscha, August Sander, Andy Warhol and Edward Weston.

American photography from the turn of the century through the mid-1960s offers one of the richest and most coherent traditions in the history of the medium. This book explores that tradition in depth through superb reproductions of 183 photographs from the outstanding collection of The Museum of Modern Art." Major figures, such as Paul Strand, Edward Weston, Walker Evans, Dorothea Lange, Harry Callahan, and Robert Frank, are each represented by six or more photographs. Dozens of other distinguished photographers are included as well, and many remarkable but unfamiliar pictures join the landmark works.

Includes short essays on the photographers (Ansel Adams, Diane Arbus, Brassai, Laura Gilpin, Man Ray, Josef Sudek, Edward Weston, and others) accompanied by one of their photos.

Featuring 250 photographs by over 150 different artists, this book surveys fine art photography in American throughout the 20th century.

Assembled from public and private collections the world over, the extraordinary images presented in this volume reflect the work of 73 women photographers from the mid-19th century to the present. They range from such early Victorian pioneers as Lady Clementina Hawarden to the recent work of Cindy Sherman, reconstructing a virtual pantheon. Each photographer is represented by several examples of her work, eliciting a gamut of emotions from the viewer--cerebral admiration in the case of Margaret Bourke-White's shots of technology; horror in response to Lee Miller's depiction of the liberated Dachau concentration camp.