PHO150 Digital Photography: Edward Burtynsky

Published on the occasion of Edward Burtynsky's largest and most comprehensive exhibition to date, at the Saatchi Gallery, London, Extraction / Abstraction looks deeply at the key subjects and signature images spanning his 45-year career. Extraction / Abstraction presents a dichotomy of Burtynsky's image-making imperative: the lucid and informed documentation of large-scale extractive processes, and how he transforms the landscapes of industry into complete abstractions. Other essential themes in his oeuvre such as agriculture, manufacturing, infrastructure and waste also find their rightful place here.

Fifty years have passed since the first Earth Day, on 22 April 1970. This accessible, incisive and timely collection of essays brings together a diverse set of expert voices to examine how the Earth's environment has changed over this past half century, and what lies in store for our planet over the coming fifty years. Earth 2020: An Insider's Guide to a Rapidly Changing Planet responds to a public increasingly concerned about the deterioration of Earth's natural systems, offering readers a wealth of perspectives on our shared ecological past, and on the future trajectory of planet Earth.

Heavy Metal: Earth's Minerals and the Future of Sustainable Societies brings together world-leading experts from across the globe to reimagine the future of mineral exploration and mining in a post-fossil fuel world. The book also explores mineral resources through an artistic lens, with a collection of stunning images from the Canadian photographer Edward Burtynsky, and excerpts of a new musical work, the Heavy Metal Suite. This thought-provoking and ultimately hopeful book guides us towards a more responsible, ethical and sustainable use of metals and minerals.

High-Tech Trash analyzes creative strategies in glitch, noise, and error to chart the development of an aesthetic paradigm rooted in failure. Carolyn L. Kane explores how technologically influenced creative practices, primarily from the second half of the twentieth and first quarter of the twenty-first centuries, critically offset a broader culture of pervasive risk and discontent. In so doing, she questions how we continue onward, striving to do better and acquire more, despite inevitable disappointment. High-Tech Trash speaks to a paradox in contemporary society in which failure is disavowed yet necessary for technological innovation.