PHO150 Digital Photography: Diane Arbus

When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influence, even something of a legend among serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972, along with the posthumous retrospective at The Museum of Modern Art, offered the general public its first encounter with the breadth and power of her achievements. Nearly half of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire.

Diane Arbus Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world. The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen.

Photography's most original artist presents the celebrities of her time in a remarkable collection of portraits. This work reveals the growth of an artist who saw no artificial boundary between art and the paying job and who succeeded in putting her indelible stamp on the visual imagination.

Untitledmay well be Arbus's most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of people and it demonstrates Arbus' remarkable visual lyricism.

Featuring 250 photographs by over 150 different artists, this book surveys fine art photography in American throughout the 20th century.

American photography from the turn of the century through the mid-1960s offers one of the richest and most coherent traditions in the history of the medium. This book explores that tradition in depth through superb reproductions of 183 photographs from the outstanding collection of The Museum of Modern Art." Major figures, such as Paul Strand, Edward Weston, Walker Evans, Dorothea Lange, Harry Callahan, and Robert Frank, are each represented by six or more photographs. Dozens of other distinguished photographers are included as well, and many remarkable but unfamiliar pictures join the landmark works.

Published to accompany the first major photography exhibition to be held at Tate Modern, London, this stunning book reproduces more than 200 photographs by the century's most important realist photographers, together with insightful essays and biographies of the photographers featured.

From well-known luminaries of the medium such as Arbus, Goldin, Lange, Cunningham, Cindy Sherman and Annie Leibovitz, to far less known figures, this book celebrates the role women have had in shaping photography's vision.

The catalogue for a traveling exhibition of photographic images of groups including work by Lewis Hine, Richard Prince, Diane Arbus, Walker Evans, Dorothea Lange, Robert Doisneau, Thomas Struth, Neal Slavin, William Klein, Nicholas Nixon, Weegee, and others.

In this book, internationally acclaimed photographer Stephen Shore brings together more than fifty images (by such photographers as Walker Evans, Eugene Atget, Robert Adams, Diane Arbus, Frank Gohlke, Lee Friedlander, Edward Weston, Robert Frank, William Eggleston, and Jan Groover) to illustrate a process of looking at and understanding photography.

Includes short essays on the photographers (Ansel Adams, Diane Arbus, Brassai, Laura Gilpin, Man Ray, Josef Sudek, Edward Weston, and others) accompanied by one of their photos.

In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the "bible" of street photography.