PHO150 Digital Photography: Imogen Cunningham

Organized chronologically, this volume explores the full range of the artist's life and career. It contains nearly two hundred color images of Cunningham's elegant, poignant, and groundbreaking photographs, both renowned and lesser known, including several that have not been published previously.

Ideas without End offers the first complete retrospective of 100 of her photographs -- the majority of which have never been published -- from her earliest efforts at the turn of the century to the many now-famous images. A biographical essay by Richard Lorenz, a chronology of Cunningham's life and work, and a bibliography are also included.

This volume presents an overview of Imogen Cunningham's figure studies dating from 1906 through to 1976, the year of her death. An illustrated essay discusses Cunningham's interest in the human form, influences on her work and comparable images by other photographers.

Featuring 250 photographs by over 150 different artists, this book surveys fine art photography in American throughout the 20th century.

Gathers American photographs taken between 1839-1939 in a variety of processes and styles.

American photography from the turn of the century through the mid-1960s offers one of the richest and most coherent traditions in the history of the medium. This book explores that tradition in depth through superb reproductions of 183 photographs from the outstanding collection of The Museum of Modern Art." Major figures, such as Paul Strand, Edward Weston, Walker Evans, Dorothea Lange, Harry Callahan, and Robert Frank, are each represented by six or more photographs. Dozens of other distinguished photographers are included as well, and many remarkable but unfamiliar pictures join the landmark works.

From well-known luminaries of the medium such as Arbus, Goldin, Lange, Cunningham, Cindy Sherman and Annie Leibovitz, to far less known figures, this book celebrates the role women have had in shaping photography's vision.

An engaging, illuminating group biography of the photographers of the seminal West Coast movement and the first in-depth book on Group f.64. Their name, f.64, they took from a very small lens aperture used with their large format cameras, a pinprick that allowed them to capture the greatest possible depth of field in their lustrous, sharply detailed prints. Featuring fifty photographs by and of its members, Group f.64 details a transformative period in art with narrative flair.

Includes short essays on the photographers (Ansel Adams, Diane Arbus, Brassai, Laura Gilpin, Man Ray, Josef Sudek, Edward Weston, and others) accompanied by one of their photos.