Cindy Sherman, 1975-1993 by 
Objects of Desire: The modern still life by
An incisive exploration of the still life genre as artists have rediscovered and reshaped it in the 20th century, Objects of Desire proves that despite the century's hostility toward older aesthetic conventions, avant-garde artists of many schools have made of the still life a vital opportunity for invention. From Matisse, Picasso, and Braque to the Dadaists, Surrealists, and Pop artists and finally to contemporary creators like Cindy Sherman and Charles Ray, the still life has hardly led a stolid, stable, or staunch existence. Originally a subject reserved for painting, the genre has progressively invaded the arena of sculpture, its themes reinvented in the provocative assemblages called "readymades," its forms recast continuously into the present. Published to accompany a major 1997 exhibition at The Museum of Modern Art, New York, Objects of Desire traces a radical rethinking of the genre in terms of subject matter and formal invention.
Pleasures and Terrors of Domestic Comfort by 
Defining Eye: Women photographers of the 20th century by 
A History of Women Photographers by
"This comprehensive, eye-opening history of women's accomplishments in photography ranges around the world and throughout the entire history of the medium, from the mid-1800s to the present." "With A History of Women Photographers, Dr. Naomi Rosenblum - author of A World History of Photography, which has become a standard reference - helps set the record straight. She explores the work of some 240 women photographers, from Anna Atkins, Julia Margaret Cameron, and Genevieve-Elisabeth Francart Disderi to Tina Modotti, Lisette Model, Margaret Bourke-White, Louise Dahl-Wolfe, Susan Meiselas, and Cindy Sherman. Her ground-breaking work provides an invitingly readable chronicle both of the women's creativity and of the often-challenging contexts within which they worked. Many of these individuals have not previously received the sustained scholarly study needed to establish their importance to the field, and women photographers in general have long been stinted in photographic exhibitions, collections, and criticism, as Dr. Rosenblum makes pungently clear." "In addition to the illuminating text and striking photographs are densely detailed individual biographies and an extensive annotated bibliography. All of this will make A History of Women Photographers an invaluable resource for years to come and should intensify the growing interest in these remarkable women and their work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Power of Feminist Art: The American movement of the 1970s by
"Since its inception nearly 25 years ago the Feminist Art movement has presented a challenge to mainstream modernism that has radically transformed the art world. In The Power of Feminist Art, coeditors Norma Broude and Mary D. Garrard, professors of art history at The American University in Washington, D.C., bring together many of the influential art historians, critics, and artists who participated in the events of the 1970s. Together, they have created this landmark volume, the first history and analysis documenting this fertile and dynamic period of artistic growth." "We learn about the first feminist art education programs, with artists Judy Chicago and Miriam Schapiro helping to lay the foundation; about the now legendary Womanhouse project; and about such banner exhibitions as "Women Artists: 1550-1950," organized in 1976 by art historians Linda Nochlin and Ann Sutherland Harris. We follow the development of the movement as seen in the various feminist organizations, networks, exhibitions, and publications it generated; and most particularly in the emergence of feminist art. Performance art, social protest and public art, and collaboration; exploration of such formerly taboo aesthetic areas as "Pattern and Decoration"; and subjects such as divinity and the body viewed from female perspectives are among the multiple aspects of the Feminist Art movement. The last section of the book traces the ups and downs of the movement, as experienced through the backlash of the 1980s and the resurgence of women's issues in the 1990s." "Uncompromising, probing, thoughtful, and as provocative and exciting as the period itself, The Power of Feminist Art is an immensely stunning book. Reproductions of hundreds of works of feminist art from the 1970s and beyond - by such artists as Judith Baca, Harmony Hammond, Joyce Kozloff, Barbara Kruger, Ana Mendieta, Alice Neel, Faith Ringgold, Betye Saar, Miriam Schapiro, Cindy Sherman, Nancy Spero, May Stevens, and Hannah Wilke - and the meticulously researched essays make this an invaluable source book and major contribution to American art and social history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Walker Evans and Company by 
American Photographs 1900-2000 by 
Women Photographers by