PHO150 Digital Photography: Henri Cartier-Bresson

In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the "bible" of street photography.

Henri Cartier-Bresson (1908-2004) studied painting before taking up photography in his early twenties. One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the skill with which he captured the most fleeting of scenes. This volume includes his photographs of France, Spain, America, India, Russia, Mexico, and pre-revolutionary China.

This new collection of work by Cartier-Bresson, created on the occasion of his ninety-fifth birthday, provides the ultimate retrospective look at a lifetime's achievement. It includes the first photographs taken by him, a significant number of which have never been published, rarely seen work from all periods of his life, classic photographs that have become icons of the medium, and a generous selection of drawings, paintings and film stills. The book also features personal souvenirs of Cartier-Bresson's youth, his family and the founding of Magnum.

Henri Cartier-Bresson's writings on photography and photographers have been published sporadically over the past 45 years. His essays-several of which have never before been translated into English-are collected here for the first time. The Mind's Eye features Cartier-Bresson's famous text on "the decisive moment" as well as his observations on Moscow, Cuba and China during turbulent times. These essays ring with the same immediacy and visual intensity that characterize his photography.

This huge, expansive book is an appropriate tribute to 150 years of photography.

This book offers the first detailed analysis of how the Surrealists utilized the tactics of documentary and how Surrealist ideas in turn influenced the development of documentary photography. The last two decades have seen the re-emergence of Surrealist photography, but with an emphasis on work made in the studio or the darkroom. This, however, is a study of what Louis Aragon called 'surrealist realism': the exploration of a real-life surreality encountered on the streets of the city. This book throws new light on Surrealism, emphasizing its connections with the everyday life of the city.

Novices and experts alike will gain a deeper understanding of great photographers and their work, as Jeffrey decodes key images and provides essential biographical and historical background. Profiles of more than 100 major photographers, including Alfred Stieglitz, Bill Brandt, Henri Cartier-Bresson, Walker Evans, Paul Strand, Lazlo Moholy-Nagy, highlight particular examples of styles and movements throughout the history of the medium. Each entry includes a concise biography along with an illuminating discussion of key works and nuggets of contextual information.

Includes short essays on the photographers (Ansel Adams, Diane Arbus, Brassai, Laura Gilpin, Man Ray, Josef Sudek, Edward Weston, and others) accompanied by one of their photos.

In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the "bible" of street photography.