PHO150 Digital Photography: Debbie Fleming Caffery

The first career survey on a leading chronicler of the American South Examining the deep emotional relationship between people and place, Louisiana-based photographer Debbie Fleming Caffery (born 1948) is recognized as a leading chronicler of the American South. Her shadowy, blurred, black-and-white images thoughtfully reveal shared human experience--childhood, spirituality, labor--and ultimately bring darkness to light. Debbie Fleming Caffery: Come to Light immortalizes in book form the artist's first major career retrospective presented at the New Orleans Museum of Art. The publication is her most comprehensive to date, showcasing projects produced in the American South and West, as well as in France and Mexico, and is the first to feature all series from across the course of her career.

The frontier between 'law' and 'politics' is not always clear-cut. A large area exists where courts operate, but where governments and parliaments also make decisions. Tim Koopmans compares the way American, British, French and German law and politics deal with different issues: in many instances subjects which are highly 'political' in one country constitute legal issues in another. Is there, for example a 'sovereign Parliament' (as there is in Britain), or will courts control the compatibility of statutes with the Constitution (as in the United States and Germany)? How far can courts go in controlling the legality of administrative action? Are there general legal theories about the frontier between what courts and what politics can do? Koopmans considers case law on a range of issues, including human rights protection, federalism, separation of powers, equal protection and the impact of European and international law.

From well-known luminaries of the medium such as Arbus, Goldin, Lange, Cunningham, Cindy Sherman and Annie Leibovitz, to far less known figures, this book celebrates the role women have had in shaping photography's vision.

This volume is an anthology or works by women photographers depicting their own children. This private view of children by their photographer mothers includes many previously unpublished works.