PHO150 Digital Photography: Sally Mann

Mann's subjects are her small children (a boy, a girl and a new baby), often shot when they're sick or hurt or just naked. Nosebleeds, cuts, hives, chicken pox, swollen eyes, vomiting--the usual trials of childhood--can be alarmingly beautiful, thrillingly sensual moments in Mann's portrait album. Her ambivalence about motherhood--her delight and despair--pushes Mann to delve deeper into the steaming mess of family life than most of us are willing to go.

In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.

This provocative book explores the complex and varied ways that five contemporary photographers--Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan--use their own daily experiences as inspiration for their art.

In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art.

In association with the Chrisler Museum Bringing together the words & images of seventy-five of the world's greatest photographers, including Julia Margaret Cameron, Edward Steichen, Robert Mapplethorpe, & Sally Mann.

Featuring 250 photographs by over 150 different artists, this book surveys fine art photography in American throughout the 20th century.

This volume is an anthology or works by women photographers depicting their own children. This private view of children by their photographer mothers includes many previously unpublished works.

Assembled from public and private collections the world over, the extraordinary images presented in this volume reflect the work of 73 women photographers from the mid-19th century to the present. They range from such early Victorian pioneers as Lady Clementina Hawarden to the recent work of Cindy Sherman, reconstructing a virtual pantheon. Each photographer is represented by several examples of her work, eliciting a gamut of emotions from the viewer--cerebral admiration in the case of Margaret Bourke-White's shots of technology; horror in response to Lee Miller's depiction of the liberated Dachau concentration camp.